ABOUT THE BOOK
This volume reveals the roles of foreign and Indian Jews in the Indian national art project and raises issues such as: Does the term ÃƒÂ¢Ã¢â€šÂ¬Ã…â€œIndian artistÃƒÂ¢Ã¢â€šÂ¬Ã‚Â apply to any artist born into an Indian family? What role can foreigners and members of Indian minority groups play in the Indian National Art Project as scholars, critics, or artists? Is a piece of work ÃƒÂ¢Ã¢â€šÂ¬Ã…â€œIndian artÃƒÂ¢Ã¢â€šÂ¬Ã‚Â because of its subject matter or its style? Is it possible to utilize ÃƒÂ¢Ã¢â€šÂ¬Ã…â€œforeign techniquesÃƒÂ¢Ã¢â€šÂ¬Ã‚Â in creating ÃƒÂ¢Ã¢â€šÂ¬Ã…â€œIndian artÃƒÂ¢Ã¢â€šÂ¬Ã‚Â?
Jews and the Indian National Art Project documents the work of artists such as Anna Molka Ahmed, Mirra Alfassa (The Mother), Siona Benjamin, Carmel Berkson, and Fredda Brilliant as well as those of photographers (David Mordecai and Man Ray) and architects (Otto KÃƒÆ’Ã‚Â¶nigsberger, Moshe Safdie). Also covered in this volume are the work of critics, scholars and art patrons like Ernst Cohn-Wiener, Charles Fabri, Stella Kramrisch, and Marion Harry Spielmann.
ABOUT THE AUTHOR:
Kenneth X. Robbins is a psychiatrist, collector, and independent scholar on South Asia. In addition to publishing more than seventy articles, he is co-editor of African Elites in India and is working on a book about the Princely states of Gujarat and several other volumes about Jews in South Asia.
Marvin Tokayer was rabbi for the Jewish Community of Japan and vice-president of the Federation of Jewish Communities of Southeast Asia and the Far East. He has authored more than 20 Japanese books on Judaica. He has participated in the Jewish dialogue with ÃƒÂ¢Ã¢â€šÂ¬Ã…â€œEastern religious leadersÃƒÂ¢Ã¢â€šÂ¬Ã‚Â as well as visiting and helping Indian and Chinese Jews.